It is generally accepted, at least among Westerners, that stories should have a well-defined beginning, middle, and end. Perhaps this is why trilogies are so popular in the United States, particularly in genre fiction. In Japan, however, sets of three do not generally carry the same meaning that they do on this side of the Pacific. And in the case of the three volume Satisfaction Guaranteed, Sequence), all it means is that the story was abruptly cut short before it ever even got off the ground.

The premise is promising enough…if, by the standards of Japanese manga these days, relatively ordinary. Nanaki discovers that he has superpowers and is then recruited into an improbable crime fighting organization. He has some grouchy exchanges with his scowling boss shoujo), he and his partner Ao engage in episodic encounters with various bad guys interspersed with scenes where Nanaki trains to improve his control over his telekinetic, pyrokinetic, and teleportation gifts.

Some of the standalone chapters are quite pleasing. In the first volume, there is a chapter about a boy with destructive psychic powers who, as it turns out, has a parasitic twin that is controlling him from the inside. They is also a sentimental, finely crafted story at the end of the second volume about the ghost of an ardent believer of the paranormal, who, ironically enough, cannot be at peace until he himself sees evidence that The Truth Is Out There, as well as another decent entry about a fortuneteller who has been cursing to death the people who stood by unmoved while his wife drowned. Other standalone chapters are “just okay,” but the overall effect is not displeasing. (On the other hand, the bonus story, with a plot unrelated to the main series, is truly terrible and borders on the incomprehensible.)

The problem, though, is not so much what the story is, but rather what all it is not. For all intents and purposes, these three volumes constitute little more than a prologue. The most interesting ongoing plot threads, such as Ao's precise relationship to his former partner and the ultimate fate of said former partner, are left virtually unexplored. Also, it is revealed late in volume three that Ao, who looks about fourteen but is actually twenty years old, has been cursed with eternal immaturity. Why this is so is never explained.

Furthermore, you might think that the fraught love/hate relationship between Nanaki and Ao would be great fodder for yaoi fans. Yes, Ao is quite pretty. Unfortunately, it does not seem like Saenagi's heart was into developing a homoerotic, buddy show-esque bond between the two youths, so the recurring depictions of their petty rivalries quickly become forced and airless. The cover for volume three, which depicts Ao tenderly kneeling in front of a seated Nanaki, is quite lovely, but this is about as exciting as their interactions ever get—and it's just a pinup! The handful of ing characters who appear and disappear on occasion throughout the series are so inconsequential that they may as well be dis-included with little in the way of ill effect upon the manga as a whole.

As implied in the previous paragraph, this series' primary asset is chibis especially always seem to strike a single—not to mention somewhat discordant—note.

All in all, Psychic Power Nanaki is a series that you should feel safely empowered to avoid entirely. Tokyo Babylon (also available in English from Tokyopop) instead.