Based on a popular, award-winning Salami Studios, should not disappoint much, as it casts its actors reasonably close in vocal style to the originals and features competent performances. (The English script does put certain in more American context, while the original Japanese context remains in the subtitles, but this is never a problem.)

Those not familiar with the manga might assume from the above synopsis that there is not much of a plot to the first half of this first series, and they would not be mistaken. However, the first dozen regular episodes are not so much about laying out a linear plot progression as they are about showcasing its core cast's activities and relationships and how they evolve (or not) over time, beginning with the heart of college days and, in some cases, extending beyond. The writing is at its best when detailing the flowering of artistic inspiration, the way different characters approach and pursue emotional attachments, and the way the characters bond with each other in ways that can transcend love; in fact, this content commonly comes across with a different and more sincere feel than most anime attempts to explore such things. Anime is replete with romances involving unrequited love, and this one handles it better than most.

The series struggles much more with its pacing and humor. Most who are not familiar with the manga will probably find the first couple of episodes to be a directionless collection of scenes which serve only to introduce the principle cast and their basic relationships and idiosyncrasies; the series gives no sense of a bigger picture or that there is even a picture. Towards the end of episode 3 the series finally starts bringing things together dramatically, and from that point on it becomes apparent that those early scenes were (mostly) necessary for laying the groundwork. Still, the series starts slow enough that it could lose some viewers before they reach the critical mass point. These episodes also struggle to find the right style of humor which works for them and to blend it smoothly in amongst dramatic components. Granted, these episodes can occasionally be very funny – especially certain parts of episode 11 and Ayumi and Hagu's odd notions about what constitutes tasty cooking – but all too often the humor is just blandly ridiculous.

Although the animation was more of a cooperative effort than normal (no less than 36 companies are listed as giving an assist on the animation, including some very prominent names), shojo habit of shifting to flowery backgrounds to highlight key emotional moments. The animation is nothing special, either.

And something special has to be said about the design of Hagumi. Yes, the fact that she is grossly undersized and underdeveloped for her age is one of the series' biggest gimmicks, but really, an 18-year-old who could for an 8-year-old physically? And college-aged male characters are practically drooling over her? True to the source manga or not, and as cute as she may be, it is a little creepy.

Substantial chunks of the series play without any soundtrack at all, but the low-key and/or fun-loving melodies which typically kick in to try to maximize a scene's dramatic or comedic impact adequately do the job. Also listen for at least two different insert songs during this span. Closer “Waltz,” which episodes often segue into in their waning moments, is an unimaginative and uninspired light number, while opener “Dramatic” is more respectable but far more noteworthy for having one of the most inventive sets of visuals ever put into an anime series opener; it is entirely composed of shots of plates against a green background, each showing an artsy (and in some cases animated) display of food depicting something else, such as a clock-shaped pizza, a cow-shaped meat patty, an elaborately-dressed young woman made entirely of pasta, or a cake with sauce which looks disturbingly like a pair of panties that failed to contain a leaky bladder. Some of these flash by fairly fast, so watching the opener at least once in slow-mo is worth it. Rarely do openers or closers warrant an included featurette just about their creation, but this one certainly does.

Viz Media did, in fact, recognize the appropriateness of having such an Extra by including the Japanese “behind the scenes” piece about the making of the opener. It reveals that an award-winning commercial director was called in to create it and gives some insight as to how some of the foods were created, but at 11 minutes it feels like it is only scratching the surface of what must have been a fascinating creative endeavor. Among other items on the Extras menu are an extensive set of production art and clean opener and closer. Each of the three disks also has a Cultural References heading to explain some of the most Japanocentric references in the episodes. One episode which was originally released as a DVD bonus episode, here called Chapter L, is included between episodes 11 and 12 and details the students' dealings with a very robust fellow student named Lohmeyer – something which has nothing to do with the main “storyline.” It is, by a large margin, the weakest of all of these episodes. All episodes retain the original Japanese credits, with translations of credits, and English credits, only found on the Extras menu.

Despite flaws, the first dozen regular episodes show potential. They have laid a solid foundation for what could be a fairly mature and emotional story about young adults dealing with life and love. The series does not achieve that potential here, but those who survive the first few episodes should find it involving enough to stick with it.